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Mosquitoland, by David Arnold

“Top-notch” —USA Today
“Illuminating” —Washington Post
“A breath of fresh air” —Entertainment Weekly
“Memorable” —People
 
After the sudden collapse of her family, Mim Malone is dragged from her home in northern Ohio to the “wastelands” of Mississippi, where she lives in a medicated milieu with her dad and new stepmom. Before the dust has a chance to settle, she learns her mother is sick back in Cleveland.
 So she ditches her new life and hops aboard a northbound Greyhound bus to her real home and her real mother, meeting a quirky cast of fellow travelers along the way. But when her thousand-mile journey takes a few turns she could never see coming, Mim must confront her own demons, redefining her notions of love, loyalty, and what it means to be sane.

*Includes a discussion guide, exclusive author interview, and music lyrics written by David Arnold

  • Sales Rank: #20703 in Books
  • Published on: 2016-03-01
  • Released on: 2016-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.31" h x 1.00" w x 5.56" l, .81 pounds
  • Binding: Paperback
  • 384 pages

From School Library Journal
Gr 7 Up—Mary Iris Malone, aka Mim, has moved from Cleveland to Mississippi (or Mosquitoland as Mim derisively calls it) with her father and new stepmother, who want her to forget her old life and even her mother. Mim is already struggling, but when she becomes convinced that her stepmother is keeping them apart, the teen steals money and hits the road to Cleveland to save her mother. The journey has bumps along the way—from a bus crash to unsavory characters. There are allies too, including romantic lead Beck and Walt, a homeless young man with Down syndrome. Mim grows on the trip and is forced to confront hard truths. Debut author Arnold's book is filled with some incredible moments of insight. The protagonist is a hard-edged narrator with a distinct voice. There is a lot for teens to admire and even savor-but there are also some deeply problematic elements. There's cultural appropriation: Mim uses lipstick to paint her face to soothe herself, calling it "war paint" and assuring readers that this is fine because she's "part" Cherokee. Walt's characterization veers close to stock, being only an inspiration for Mim. She and Beck have to take Walt to a veterinarian during a medical emergency. They joke that he is "kind of our pet." The revelations about Mim's mother's mental health, and her own mental health, arrive without clear foreshadowing and feel somewhat disjointed—particularly Mim's ultimate decision about her own medication. Recommended for larger collections, this is a readable, original story with strong writing, but the issues cannot be ignored.—Angie Manfredi, Los Alamos County Library System, NM

Review
Accolades for Mosquitoland:

"Arnold proves his worth as a top-notch storyteller on his first literary go-round, which is reminiscent of Ferris Bueller's Day Off if done by John Hughes with Jack Kerouac. . . Mosquitoland stings in all the right places, which is why it will no doubt be many teenagers' new favorite book and win over the crustiest old-timer, too." —USA Today

"David Arnold combines brio with compassion in this captivating first novel, which holds surprises, big and small, right to the end. . . Illuminating" —The Washington Post

"David Arnold's sparkling, startling, laugh-out-loud debut. . . speaks to the sweetness of life, the courage of love and the blinkers that adolescents may need to remove to see what is truly around them." —Wall Street Journal

"It's a breath of fresh air when a novel like David Arnold's Mosquitoland bucks the usual classifications and stands defiantly alone. . . like any odyssey worth embarking on, what the heroine—and the reader—finds along the way is far more interesting than we ever could have expected.” —Entertainment Weekly

"Memorable" —People

"One of the most talked about books of the year" —Teen Vogue

"In Mosquitoland, David Arnold has created one of the most unique narrative voices to show up in the world of young adult fiction. I don't remember life before Mim, and I don't want to. Mosquitoland is equal parts sharp, sad, and surreal.  This book is genius, war paint and all."
—John Corey Whaley, Printz-winning author of Where Things Come Back

“David Arnold’s writing is both heartfelt and hilarious. You will fall in love with Mim, even as her grand journey will keep you guessing. Mosquitoland reminds us that sometimes imperfect is just perfect.”
—Ruta Sepetys, New York Times bestselling author of Between Shades of Gray

★ “Arnold pens a stunning debut, showcasing a cast of dynamic characters. . . Mesmerizing.” —Kirkus, starred review

★ “Wholly enjoyable. . . There is no shortage of humor in Mim’s musings, interspersed with tender scenes and a few heart-pounding surprises. Mim’s triumphant evolution is well worth the journey.” —Publishers Weekly, starred review

★ "Arnold boldly tackles mental illness and despair, and sexual assault and sexual identity, without ever once losing the bigheartedness of the story. . . In the words of one of Mim's Greyhound seatmates, Mosquitoland has pizazz—lots and lots of it." —Booklist, starred review

★ "Arnold’s characters are captivating and believable. . . This is a very engaging and compelling story about individuals who succeed or fail to manage life’s challenges. An action-packed thriller with a touch of humor and romance." —School Library Connection, starred review

★ "Arnold skillfully sets up doubts in readers' minds about how reliable Mim's impressions are, even as her razor-sharp humor and intelligence make us want to believe her. David Arnold is a write to watch." —Shelf Awareness, starred review

“A YA road trip novel that takes you across the country, with a protagonist on her way to visit her hospitalized mother. And can we talk about that gorgeous cover for a second? My goodness. Get me a poster, right now.” —The Huffington Post

"A wacky road trip. . . [Mim's] voice is so singular and full of heart" —The Horn Book

"A strong emphasis on personal alienation and the saving grace of community permeates this voice-driven novel, and the whip-smart narration is seductive and powerful." —Bulletin of the Center for Children's Books

"A classic road trip narrative. . . written with tenderness" —National Post (Canada)

“First-time novelist David Arnold has uncannily captured the voice of a 16-year-old girl with beauty and style in Mosquitoland. . . Arnold’s prose is delicious as he peels back each of Mim’s layers on her long ride.” —BookPage

“You know those books that, despite being realistic contemporary, just transport you into another world entirely? That’s exactly the experience of reading Arnold’s debut. . . This book makes me wish I were a school librarian, just so I could buy ten copies for my collection.” —Barnes & Noble Teen Blog

“Arnold has already been chosen with nine other debut novelists for the ABA Indies New Voices list, and that’s not an honor given lightly, so it’s definitely a book to keep your eye on.” —Bustle

- Kids' Indie Next List "Top Ten" Pick (Spring 2015)
- ABA Indies Introduce Debut Authors and New Voices title
- A Junior Library Guild selection
- 2015 Great Lakes Great Reads award winner
- A Publishers Weekly Spring 2015 Flying Start
- Booklist Editors’ Choice 2015
- A Booklist Top 10 First Novel for Youth: 2015
- A Kirkus Unforgettable Debut 2015
- An Amazon Best Book of the Year 2015
- An NPR Book Concierge Best of 2015
- A BookPage Best Teen Book of 2015
- A Bustle Best YA Book of 2015
- A Paste Magazine Best YA Book of 2015
- A Buzzfeed Best YA Book of 2015
- A Hudson Booksellers Best Book for Young Readers 2015


From the Hardcover edition.

About the Author
David Arnold lives in Lexington, KY, with his (lovely) wife and (boisterous) son. Previous jobs include freelance musician/producer, stay-at-home dad, and preschool teacher. He is a fierce believer in the power of kindness and community. And chips. He believes fiercely in chips. Mosquitoland is his first novel.
 
You can learn more at davidarnoldbooks.com and follow him on twitter @roofbeam.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Memorable, Touching, Humorous
By Gypsi Phillips Bates
In a quick-moving chain of events, Mim's parents divorce, her father remarries, and Mim is moved nearly 1000 miles south from her mother. After overhearing that her mother is ill, and being convinced that her step-mother is keeping them apart, Mim makes a snap decision to take a Greyhound to Cleveland and help her mom. Mosquitoland follows Mim's journey, both physically and emotionally, as she makes friends, faces tough decisions, and learns a good deal about herself.

Arnold's debut novel is smooth and polished, with a plot that flows well and nicely defined characters. It is also funny, and heartbreaking. With a few exceptions, Mim finds herself in situations that are realistic, and the choices she makes are also believable--even the bad ones.

On a side note, as a former special educator, I am in awe with Arnold's beautiful treatment of , and discussions about, atypical children. I hope this lesson will be embraced by all who read it.

Mosquitoland is memorable, touching, and an overall good novel.

0 of 0 people found the following review helpful.
I really liked his book
By Peter
Unfortunately some of the phrases from the reviews...I always read the worst ones first...lingered in my mind...like is this really the voice of a 14 year old? I finished one book prior to this one that also sought to use the 14 year old's voice and did not do well at all with it.

In Arnold's case he did a much better job and created a story I was anxious to follow. There was some of the same darkness that accompanied the 14 year old of the other novel, but Mim's had both the dark and the light, well-mixed in the confusing times and frameworks of the emerging teen voice and vision of life.

I was very much pulled into and through this story with it's touching poignance right alongside the possibilities and 'realities' of accompanying darkness. I will write to thank the friend who recommended it and will go on to recommend it to my friends who are drawn to stories of life and the utterly infinite way in which it is all experienced.

Thank you Mr Arnold. I will buy the CD and the next novel, hoping to deepen my love for Mim and Beck and Walt and Kathy...

0 of 0 people found the following review helpful.
It's okay. A young teen on a quest to ...
By B.A.W.
It's okay. A young teen on a quest to find her mother, who may or may not be sick. Along the way she meets a cast of wacky characters that both enliven her journey and teach her a few life lessons too. Kind of predictable but an interesting and quick read nonetheless. Sure this will probably be optioned for some movie version with some 20 year old actress trying to play 15.

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  • Sales Rank: #5353 in Books
  • Published on: 2014-02-04
  • Released on: 2014-02-04
  • Format: Abridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .74" w x 8.50" l, 1.45 pounds
  • Binding: Paperback
  • 328 pages

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The Christmas Train by Baldacci, David [Grand Central Publishing, 2004] (Paperback) [ Paperback ]

  • Sales Rank: #9897031 in Books
  • Binding: Paperback

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Senin, 30 Juni 2014

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  • Sales Rank: #2325408 in Books
  • Published on: 1998-03-28
  • Number of items: 2
  • Binding: Paperback

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Jumat, 27 Juni 2014

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  • Sales Rank: #1788545 in Books
  • Published on: 2016-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x .59" w x 7.01" l, .0 pounds
  • Binding: Paperback
  • 300 pages

About the Author

Michael Brzustowicz is a physicist turned data scientist. After a PhD from Indiana University, Michael spent his post doctoral years at Stanford University where he shot high powered Xrays at tiny molecules. Jumping ship from academia, he worked at many startups (including his own) and has been pioneering big data techniques all the way. Michael specializes in building distributed data systems and extracting knowledge from massive data. He spends most of his time writing customized, multithreaded code for statistical modeling and machine learning approaches to everyday big data problems. Michael now teaches Big Data, parttime, at the University of San Francisco.

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Selasa, 24 Juni 2014

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Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.

  • Sales Rank: #50173 in Books
  • Published on: 2011-02-01
  • Released on: 2011-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .75" w x 4.25" l, .35 pounds
  • Binding: Mass Market Paperback
  • 304 pages

From Library Journal
This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice. Larry Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1988 Reed Business Information, Inc.

Review
aOne of the most helpful, sensible, and enjoyable discourses on the subject ever published.a
a"Victor Record Review"
aBy far the best thing of its kind yet to appear.a
a"Modern Music"

?One of the most helpful, sensible, and enjoyable discourses on the subject ever published.?
?"Victor Record Review"

?By far the best thing of its kind yet to appear.?
?"Modern Music"

About the Author
Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.

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81 of 83 people found the following review helpful.
HIGHLY RECOMMENDED!!!
By JR Pinto
THIS IS A BOOK FOR PEOPLE AT ALL LEVELS - LAYMAN, COMPOSER, OR ADVANCED MUSIC LOVER. "Why should one have to learn or need guidance on how to listen to what one is hearing?" is the question that William Schuman asks in his Preface. "The answer is simple. Listening to music is a skill that is acquired through experience and learning. Knowledge enhances enjoyment."
What makes What to Listen for in Music so invaluable is that it is the ONLY book on musical appreciation written by a GREAT COMPOSER. "This is a composer's book," Aaron Copland states. "Given the chance, every composer would like to know two very important things about anyone who takes himself seriously as a music lover...1. Are you hearing everything that is going on? [and] 2. Are you really being sensitive to it?"
The only shortcoming of this book is that it should be taken as part of a class to make sure that one gets everything out of it. It would be great if it came with a CD of all the examples to which Copland makes reference. However, each chapter does end with a list of "recommended listening." To make specific points, Copland does include sheet music (but I didn't read this book sitting next to my piano). However, these problems are minimal, considering we live in an age of the cheap CDs and music downloads.
Copland covers EVERY aspect of music, starting with "how we listen," - on the sensuous plane, the expressive plane, and the sheerly musical plane. He then goes on to explain to us the Four Elements of Music - Melody, Rhythm, Harmony, and Tone Color. We find out about all the musical instruments, their history and classifications. We find out about all the genres in music - Sectional Form, Variation Form, Fugal Form, Sonata Form, Free Form. Did you know that Sonata Form includes symphonies as well? And that symphonies grew out of operatic overtures?
This is a book that bears re-reading. A lot of technical jargon gets bandied about and, although Copland does his best to explain it all, it still gets a tad confusing. I advise reading this book, listening to a LOT of music, and then reading it again. I know my own knowledge and appreciation of music has grown from reading it. Now I DO have an idea of the nuances I should be listening for in a Mozart piano concerto.

36 of 37 people found the following review helpful.
Attention Music Lovers!
By L A Spillane-Larke
Anybody who has any interest in music owes it to themselves to read this book. In this definitive guide to musical enjoyment, Aaron Copeland takes a look at how to listen to music intelligently. Two questions are addressed in this interesting, in-depth study: Are you hearing everything that is going on? Are you really being sensitive to it?
It doesn't matter what kind of music you enjoy, everyone can get something out of this book. Though relating more closely to classical music, Aaron Copeland's ideas for listening to music will give the reader a better appreciation and understanding of whatever music they listen to.
From reading this book you will gain insight into the creative process of a composer. In laymen's terms, the book describes the way composers write music as well as how they actually listen to it. It explains that there are three separate planes upon which music is listened to. They are the sensuous plane, the expressive plane, and the sheerly musical plane. Copeland goes on to tell how music is heard on each plane and explains how each works, which I found very interesting.
Overall, Aaron Copeland's What To Listen For In Music is a good book that I recommend to anyone who has an interest in music or enjoys listening to it. A whole new level of listening ability can be gained from reading this book. It explains music from the composer's point of view, giving you insight into how music is composed, and how to listen to it, which gives you a deeper appreciation of music.

37 of 40 people found the following review helpful.
Everything you always wanted to know about music . . .
By Daniel Davis
. . . for the listener who enjoys and wants to deepen her understanding of orchestral music.
Aaron Copland built much of his career on writing modern "classical" music that could be enjoyed and appreciated by the common listener. He felt that modern music should communicate to the non-musician, as well as the more experienced one. He knew that if the listener understood what made up the basics of musical composition and structure, that the experience of listening would be tremendously enhanced. This book is in the spirit of that goal, and like his most accessible music, Copland achieves this with a brilliant, conversational eloquence that is neither pandering nor pretentious. I found this book to live up to its title, "What to listen for in music." Copland takes the reader on a step by step journey of what components make up a piece of music; from the different type of composers, through the creative process and the individual elements that support the musical architecture. These elements include rhythm, melody, harmony and tone/texture. Once these are clear, he then is able to talk about a musical work as a whole, which includes its structure the different forms that it takes (eg. sonata form, synphony, opera, etc.) One does not need a musical backround to understand and enjoy this book, and yet the seasoned musician will also find a refreshing review of the basics of music. Copland loved music and this is always obvious in his joyful presentation. All one need to have to benefit from this book is a curiosity of music and its mysterious ability to move mountains.

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