Rabu, 19 Juni 2013

[D143.Ebook] Free PDF I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu

Free PDF I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu

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I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu

I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu



I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu

Free PDF I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu

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I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman, by Cy Feu

(Applause Books). " A highly entertaining showbiz memoir . . . The shows were fantastic." The Washington Post "We laughed and we cried at Cy Feuer's wonderfully warm, brash, and colorful memoir of his life in the New York theater and happily recommend it to anyone who has ever been to a Broadway musical. . ." Mel Brooks & Thomas Meehan. This is the rags to riches story of Cy Feuer, who, after becoming the executive officer of the Air Corps film division in World War II, teamed up with the late Ernie Martin to become a legendary Broadway musical producer. Their first hit was Where's Charley? in 1948 featuring Ray Bolger. Next up was the smash Guys and Dolls , which enabled them to hire Cole Porter for their next show, Can-Can . Feuer signed 17-year-old Julie Andrews for her Broadway debut in The Boyfriend , another hit. He hit the bulls-eye one more time with How to Succeed in Business Without Really Trying , his third collaboration with composer Frank Loesser. The first five musicals Feuer and Martin produced were hits, and at one point, all were running simultaneously on Broadway. He would later go to battle with Bob Fosse as producer of the acclaimed 1973 film version of Cabaret .

  • Sales Rank: #2789773 in Books
  • Brand: Brand: Applause Theatre n Cinema Books
  • Published on: 2005-08-01
  • Released on: 2005-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x .75" w x 6.00" l, 1.15 pounds
  • Binding: Paperback
  • 294 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
From his birth in Brooklyn in 1911, Feuer seemed destined to become a legend in his own time. In this rollicking and rambunctious memoir, Broadway producer Feuer reminisces about his mother's dragging him to bandleaders and trumpeters, touting her son's musical talent. When his father died, Feuer's trumpet playing had to provide for the family; at 15 he was bringing home money from weekend club dates. After he finished Juilliard, Feuer made the rounds with big bands, playing venues such as the Roxy and Radio City Music Hall. Following World War II, Feuer and Ernie Martin formed a theatrical partnership and began to produce Broadway musicals. With curmudgeonly affection, Feuer recalls his greatest successes-Guys and Dolls, Can-Can, How to Succeed in Business Without Really Trying and Cabaret-and the stories surrounding them. He vividly re-creates Bob Fosse's temper tantrums, Cole Porter's obsession with finding the right lyric, and Liza Minnelli's staunch defense of her then-lover, Martin Scorsese. (Feuer considers today's Broadway musicals sentimental and not very deep.) Poking fun at himself and his foibles as often as he recalls the shortcomings of others, Feuer offers a tantalizing no-holds barred look at the halcyon days of the Broadway musical and the people who made them come to life on the stage.
Copyright 2003 Reed Business Information, Inc.

Review
Liz Smith Here's a must for people with historical theater memories -- the story of those rootin' tootin' tough businessmen Cy Feuer and his partner Ernie Martin. Their B'way hits became legends. But who knew how funny [Cy] could be. His memories, his quips, the wit of the famous others around him. This memoir is irresistible and tells us what used to be "new" on the Rialto. Don't miss it.

About the Author
Cy Feuer is the producer of the original Broadway production of Guys and Dolls, How to Succeed in Business Without Really Trying, Can Can and many more legendary shows. Ken Gross is a former newspaper columnist and author of fourteen books.

Most helpful customer reviews

15 of 15 people found the following review helpful.
How to Succeed in Show Biz
By enubrius
Reading Cy Feuer's memoir is like sitting at the feet of a beloved uncle as he recounts fabulous tales of a fabulous time on Broadway; the time when the Broadway Musical was a capital-letters phrase. And, make no mistake, Cy Feuer and partner Ernest Martin were THE musical producers of that era! Guys & Dolls, How to Succeed...; Can-Can, The Boyfriend! To anyone "of a certain age", these were the musicals of their lives. Sure, there are some factual errors (he confuses Victor Young with Vincent Youmans, for example), but I blame that on co-author Ken Gross. I don't know that it's his fault, mind, I just want to blame him and just revel in Cy Feuer! If you love musicals, Broadway, Hollywood, gossip, and/or great story-telling, you will, too!

5 of 6 people found the following review helpful.
Standing on the Corner, Trading Stories
By disheveledprofessor
The first show I saw in NYC, as an impressionable young teenager, was Feuer & Martin's production of "How to Succeed in Business without Really Trying". Those rosy memories, combined with the positive reviews of the book, made reading it irresistable.

It is a light, enjoyable read. The reviewer who wrote "is like sitting at the feet of a beloved uncle as he recounts fabulous tales" was absolutely right -- that's just how I felt. [And it must have been the style Feuer was trying for, with his repeated use of "kinda" "sorta" "hadda"]. But while that is fun, it was also frustrating: the stories were told because they were humorous, not because they provided any insight. Don't we read biographies to learn more about what makes a specific individual "tick", and by transferance, more about what makes all of us "tick"? There was no learning here, little insight. Just stories.

Feuer insisted frequently that he was not an artist, merely a ditchdigger, albeit a good one. But he didn't do enough digging here. Read it for fun, but don't expect to know the man.

0 of 0 people found the following review helpful.
great theater history
By Mike D.
Fascinating glimpse into the creation of some classic Broadway musicals. The author offers a candid and honest assessment of his career in the musical theater.

See all 6 customer reviews...

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