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A Nation within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics, by Komozi Woodard
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Poet and playwright Amiri Baraka is best known as one of the African American writers who helped ignite the Black Arts Movement. This book examines Baraka's cultural approach to Black Power politics and explores his role in the phenomenal spread of black nationalism in the urban centers of late-twentieth-century America, including his part in the election of black public officials, his leadership in the Modern Black Convention Movement, and his work in housing and community development.
Komozi Woodard traces Baraka's transformation from poet to political activist, as the rise of the Black Arts Movement pulled him from political obscurity in the Beat circles of Greenwich Village, swept him into the center of the Black Power Movement, and ultimately propelled him into the ranks of black national political leadership. Moving outward from Baraka's personal story, Woodard illuminates the dynamics and remarkable rise of black cultural nationalism with an eye toward the movement's broader context, including the impact of black migrations on urban ethos, the importance of increasing population concentrations of African Americans in the cities, and the effect of the 1965 Voting Rights Act on the nature of black political mobilization.
- Sales Rank: #393981 in eBooks
- Published on: 1999-02-22
- Released on: 1999-02-22
- Format: Kindle eBook
Amazon.com Review
Sarah Lawrence College professor Komozi Woodard convincingly argues that Amiri Baraka was not only the most original black poet, author, dramatist, and cultural critic to emerge from the 1960s but also that era's most important nexus between the politics and artistic movements. "The serious study of Black Power," he writes, "must begin with an examination of its most important experiments ... specifically, the leadership of Amiri Baraka and the dynamics of black cultural nationalism." Woodard details Baraka's visit to revolutionary Cuba and the influence of Patrice Lumumba on his thinking; the black-arts movement Baraka helped found and the black/Puerto Rican coalitions he forged; his ambitious but flawed housing ventures in Newark, New Jersey; and his heroic efforts to hold together the 1972 National Black Political Convention in Gary, Indiana. Woodard weaves a complex picture detailing the ascendance of a modern cultural icon and the political landscape he helped create. --Eugene Holley Jr.
From Publishers Weekly
Woodard examines the role of poet Amiri Baraka's "cultural politics" on Black Power and black nationalism in the 1960s and 1970s. After a brief overview of the evolution of black nationalism since slavery, he focuses on activities in Northeastern urban centers (Baraka's milieus were Newark, N.J., and, to a lesser extent, New York City). Taking issue with scholars who see cultural nationalism as self-destructive, Woodard finds it "fundamental to the endurance of the Black Revolt from the 1960s into the 1970s." The 1965 assassination of Malcolm X catalyzed LeRoi Jones's metamorphosis into Amiri Baraka and his later "ideological enchantment" with Castro's revolution. After attracting national attention following the 1966 Detroit Black Arts Convention, Baraka shifted his emphasis to electoral politics. He galvanized black support for Kenneth Gibson, who was elected mayor of Newark in 1970. Woodard pays scant attention, however, to the fact that "Baraka's models for political organization had nothing revolutionary to contribute in terms of women's leadership" or the roots of "Baraka's insistence on psychological separation" from whites. Woodard's conclusion descends into rhetoric as he urges support for a school system to "develop oppressed groups into self-conscious agents of their own liberation," while offering no specific, practical suggestions. Woodard's need to be both scholar and prophet are in conflict, and the prophet's voice undermines the scholar's.
Copyright 1999 Reed Business Information, Inc.
Review
The best published work on the black power movement to date.
"Journal of American History"
The most important book to be written about the Black Power Movement.
"The Gaither Reporter"
The author does an excellent job of exploring the complexities of the modern black struggle for freedom in America.
"American Studies"
"A well-researched, decidedly worthwhile study that enhances our understanding of Black Power stratagems.
"American Historical Review""
"In giving us much to discuss and debate in its richly informative and insightful pages, [this book] deserves the widest possible audience.
"American Quarterly""
A well-researched, decidedly worthwhile study that enhances our understanding of Black Power stratagems.
"American Historical Review"
In giving us much to discuss and debate in its richly informative and insightful pages, [this book] deserves the widest possible audience.
"American Quarterly"
Most helpful customer reviews
0 of 0 people found the following review helpful.
The title of this book speaks for itself, no other title would suit.
By Gosrydr
Excellent.
I was first introduced to Amira Baraka watching a showcase PBS aired after his death Jan. 9, 2014.
A panel of artists gave their testimonies regarding their relationship with this remarkable man. One of the artists was Komozi Woodard. His book has documented Amiri Baraka's life VERY well. Outstanding for informational content.
The book is an In-depth review of decisive, historical milestones. The wickedness African descendants endured to become recognized as citizens in this country with special focus on events in, but not limited to Chicago, is recorded in these pages.
Thank you, Mr. Woodard.
8 of 8 people found the following review helpful.
The most important book on Black Power Movement
By A Customer
Professor Peniel Joseph writes that, "Historian Komozi Woodard's `A Nation Within A Nation' ... stands out as the most important book to be written about the Black Power Movement. `A Nation Within A Nation' is really several books rolled into one. First, it is a well-researched and painstakingly detailed case study of the dramatic consequences of Black Power politics on [the] racial and political dynamics of Newark, New Jersey during the late 1960s and early 1970s. Second, it is a political biography that underscores the significance of Amiri Baraka to the Black Power Movement's rise and eventual decline in American politics. Third, the book explores the transformation of black cultural nationalism during the Black Power era and Baraka's pivotal role in contemporizing black nationalism as an expressive political and cultural vehicle. Finally, it's a study of the divese and complex matrix that produced black political thought and practice during the period; a historical interrogation of the national and international implications of radical anti-colonial discourses that undergirded Black Power politics."
6 of 6 people found the following review helpful.
This is a must read for all interested in politics and race
By A Customer
Woodard writes about the relationship of black power, black cultural arts, and the black nationalist movement with LeRoi Jones, later Amiri Baraka, one of its main supporters. ... He concludes that Black America requires an ideological and political arsenal of both nationalism and Marxism. But at no time can the emphasis be purely Marxist or nationalist without doing damage to the black community. In other words, sectarianism is the enemy of black liberation and the fight for equality. This is a must read for all interested in politics and race in the U.S. Recommended for undergraduates, graduate students, and faculty. -- P. Barton-Kriese, Indiana University East, Choice July/August 1999
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